Monthly Archives: May 2013

Seeing Red

Despite Australia seeing barely a fraction of the range of sake available in Japan it’s funny how some people are so quick to already look for something new, different or off the wall. When talking to folks interested in sake I’m coming across more and more people who want to know about barrel-aged sake, long-term aged sake, sake made with ridiculously low seimaibuai, wild yeast strains and also unusual rice varieties. Which brings us to Ine Mankai’s Red Rice Sake.
Relatively speaking, this sake seems to garner quite a bit of attention. So what’s it all about? You may remember we actually looked at Hitachino Nest’s Red Rice Ale, a beer made with an addition of a particular rice with a red/purplish hue. Well, this is pretty much a sake version. Although red rice sake is certainly rare it is not new. Red Sake or Akazake (or sometimes Akaisake) has traditionally been made in a number of ways.
1. Probably the most famous style is that which originated in Kumamoto prefecture where the sake was made in the usual way with ash added to the sake mash traditionally to prevent spoiling but also adding a reddish tint to the sake.
2. Another type, popular in Niigata is made using a type of koji that has a natural red pigment.
3. Finally, there is the method of using actual red rice, usually in conjunction with regular sake rice. Often differentiated by being referred to as red rice sake instead of red sake. Makes sense huh?

Ine Mankai is made by Mukai Shuzo in Kyoto. With a rich history dating back to 1754, Mukai Shuzo also boasts the honour of having one of Japan’s first female toji Kuniko, daughter of the brewery owner who stepped up to take over brewing duties. One interesting thing about this sake for me is that it really cries out for food. Sure you could drink it on it’s own but the flavour profile lends itself to food matching. And this is where it’s popularity seems to stem from with restaurants picking up on it’s ability to be a sake that goes with dishes perhaps not normally associated with sake or Japanese cuisine.
Yeah, yeah so what does it taste like?
Different for sure. Firstly, with its rosy pink hue it looks gorgeous. Pomegranate and olives are the first aromas to jump out followed by hints of macerated cherry and whiff of marshmallow. Best served chilled; on the palate it hits sweet almost like port but without the heat and again with cherries and a bit of plum. My first instinct is to go with some pickles to munch on with this sake but I’d also go for sauce-heavy Chinese food of the sweet variety. An interesting sake for sure and well-crafted but definitely one for a certain occasion or meal. Sure it has “sake” traits but it feels like a sake for wine drinkers and as it turns out it’s mostly wine drinkers who have been talking about this sake here and in Japan. Some may consider it a “gateway sake” ie. punters who like this may be tempted to try other sake, however as this type of sake is something of a rarity it’s unlikely they’ll find much out there similar to Ine Mankai, as lovely as it is.

It’s also interesting to note that although the English label describes this sake as Junmai Genshu (pure rice sake, undiluted), the use of the red rice variety actually prevents it from qualifying for Special Designation status (Tokuteimeishoshu) so legally in Japan it cannot be (and is not) labelled as Junmai. All rice used in Tokuteimeishoshu must be inspected by the government and be of a specific grade to qualify.

Red Or Regular?

Red Or Regular?



Any time I make a trip to Japan I always try to squeeze in a brewery visit or two and on my last visit I was fortunate enough to visit one of my favourites in Nishiyama Shuzo makers of Kotsuzumi from Hyogo prefecture. I first came across Kotsuzumi when I received a bottle of their flagship sake Tanko Junmai Ginjo as a souvenir from a friend but at the time knew little about them. It was an amazing sake that soon became one of my go-to sake whenever I visited Japan. So I was doubly excited when they warmly invited me take a look around the brewery.

Established in 1849 Nishiyama Shuzo is in a beautiful, mountainous location in Tanba City in the middle of nowhere, Hyogo. Many breweries are located in difficult to get to countryside areas so as to have access to good water, and Nishiyama is no exception. Like many breweries their water is their pride and the folks at Kotsuzumi wasted no time in telling me their famous soft-water from the Takeda River which they pump from wells on site had been featured in the famous gourmet manga-comic Oishinbo where it was described as “plump, round with a surprisingly quick, fleeting finish. Truly a pure, bold water”. High praise indeed! The fact that the local water is soft-water is also noteworthy as most Hyogo sake comes from the Nada region famously for its particularly hard water.

The well from where the brewing water is sourced

The well from where the brewing water is sourced

One of the first things you notice about a bottle of Kotsuzumi is the striking labels. All their Labels are designed by respected artist Hirosuke Watanuki. It was nice to see the motifs on the labels reflected throughout the brewery, all the signage and even the outside garbage bin bore a design from Watanuki-san which gives a unique feeling of continuity and consistency which also reflects in their approach to brewing. As Kotsuzumi’s Toji Yashima-san explained, they brew in small batches all year round to maintain consistency and freshness. Many breweries still follow the traditional style of doing all their brewing only in the cooler months and then spending the warmer months marketing and promoting (or even resting!). However at Kotsuzumi their year round brewing philosophy means if you spot a Kotsuzumi bottle on the shelves you can be sure it is only a few months old and unlikely to be from last year’s production. This “fresh is best” approach to brewing also means you won’t find any koshu or aged sake about. Again as Yashima-san explained, their small size and constant brewing system means they don’t have any tank or storage space even if they wanted to age their sake. But then again who needs it?

Nishiyama are very much a modern brewery and pride themselves on individuality. This is evident in their use of only locally grown rice including the familiar Yamadanishiki and Gohyakumangoku as well as the very local, organically grown Tajima-Goriki and Hyogo-kitanishiki. Also unusual is their almost exclusive use of Ogawa #10 yeast strain. A far from common or easy to work with yeast strain that Yashima-san finds rewards with light, delicate, elegant sake. Breaking further from tradition is the method of having all brewery workers (kurabito) involved in all aspects of brewing without the Toji, Yashima-san keeping any secrets to himself. It is common or traditional in breweries for the Toji to take full control and responsibility for many aspects of brewing without delegating tasks of high importance to other brewers until they’re too old to do it all themselves. This is why you often hear stories of Toji who spend the brewing months living on only a couple of hours of sleep a day and working up to six months straight without a day off. Admirable but not always practical. After all if the Toji were to become sick, production would ground to a halt. By making the techniques, brewing data and know-how of the Toji available to all the brewers consistency is guaranteed. A smart move in these fiscal times I’d say.
These days it’s hard for a brewery to make ends meet on just sake alone so mnay of them branch out with other products usually starting with Ume-shu, Yuzu infused liqueurs and often shochu. Nishiyama Shuzo is no exception producing all of these as well as grape liqueur, strawberry liqueur and even Amazake yoghurt. Amazake, if you’re not familiar is a sweet, non-alcoholic beverage made using koji and rice, often drunk warm. But beyond these I was most surprised to be shown their Grappa distillery(!). Yep, of all places to find Italian firewater, it’s being distilled out in the boondocks of Japan.
Of course on such a trip I was unlikely to leave without a couple of bottles and I couldn’t resist grabbing a “fresh-as-can-be” bottle of the Tanko Junmai Ginjo and Tokubetsu Junmai. But imagine my surprise when it was casually mentioned that some of the Kotsuzumi portfolio was available in Australia! What?? Since when? How did something like this get by a know-it-all like me? Nonetheless it is true that the Kotsuzumi Tokebetsu Junmai and the Kotsuzumi Junmai Ginjo Hanafubuki are in fact available through Sake Online. Grab some!

Tokubetsu Junmai

Tokubetsu Junmai

Kotsuzumi Tokubetsu Junmai Seiamibuai: 58%
Rice: Hyogo Kitanishiki

Slightly earthy aromas, blended with white chocolate, white flowers and hints of poached pear. Plush and full on the palate with a dollop of umami and a slightly spicy, grippy finish. Also recommended slightly warmed or room temperature.
If you find yourself in Japan with the chance to try the Tanko I highly recommend it as one of my all time favourite sake. Their Daiginjo are also nothing short of outstanding and interestingly keep to the brewery policy of not milling rice any lower than 45%. In this day and age of seeing who can go lowest with 35% becoming the norm for competition sake, I find that a breath of fresh air. Arguably, to go much lower than 45 or 40% the sake loses its umami and the whole exercise becomes more about bragging rights than sake quality.
Yashima-san at the brewery entrance

Yashima-san at the brewery entrance